Bibliography


Selected Articles & Reviews

1950-1959

Butler, Doris Lane. “Color Fills Wells Street Show.” Chicago Daily News, (Monday, Jan 5, 1959) p.22.

1960-1969

Schulze, Franz. “Surprises that Bloom in the Spring.” Chicago Daily News, October 20, 1962, p. 13.

Kozloff, Max. “New York: Robert Natkin and Judith Dolnick at Poindexter.” Artforum, vol. 6 (Summer 1968), pp. 50-51.

Kramer, Hilton. “Robert Natkin and Judith Dolnick at Poindexter,” The New York Times, April 13, 1968.

1970-1979

Scott, Martha B. “Dolnick-Bogart ‘Tone Poems’ Allude to Japanese ‘Haiga.’” The New York Times, 1975.

Brown, Gordon. “Judy Dolnick,” Arts Magazine, October 1976.

Russell, John. “Judith Dolnick at Poindexter Gallery,” The New York Times, October 22, 1976.

Art Listing. “Judy Dolnick at Poindexter Gallery,” The New York Times, October 24, 1976.

Art Listing. “Judith Dolnick, Maureen McCabe, Stephen Zaima,” The New York Times, September 9, 1979.

Art Listing. “Judith Dolnick, Maureen McCabe, Stephen Zaima,” The New York Times, September 30, 1979.

Peterson, William. “Judy Dolnick at Hoshour,” Artspace Southwestern Contemporary Arts Quarterly (Fall 1979), Vol. 4, No. 1.

Schmitz, Jan. “Judy Dolnick: memory forms that float in fragility,” Independent Newspapers, November 2, 1979.

1980-1989

“New Faces/New Images,” Ocular Magazine 6:3 (Fall 1981), p. 62-67.

Brenson, Michael. “Judith Dolnick at Gimpel & Weitzenhoffer,” The New York Times, September 16, 1983, p. C18.

Licht, Fred. “Judith Dolnick at Gimpel & Weitzenhoffer,” Arts Magazine, November 1983, p. 19.

Berman, Aris. “The Collectors: Celebrating Early America.” Architectural Digest (March 1984), pp. 168 174.

Cohen, Ronny. “Judith Dolnick at Gimpel & Weitzenhoffer,” Artforum (Summer 1987), p. 122.

Remsen, John. “Art Reviews: Dolnick and Natkin at Fine Arts Center,” Sunstorm (June/July 1987), p. 14.

Harrison, Helen A. “A Couple Share Esthetic Sensiblity,” The New York Times, Sunday, July 19, 1987.

Damsker, Matt. “Three female artists span the gap between mystery and reality,” The Harford Courant, Sunday, December 6, 1987, p. G6.

Campbell, Lawrence. “Judith Dolnick at Gimpel & Weitzenhoffer,” Art in America (February 1988), p. 147.

1990-1999

Wright, Karen. “Gallery.” Modern Painters (Summer 1994), p. 85.

Sikorski, Fran. “Painting Partners: Robert Natkin and Judtih Dolnick,” The Ridgefield Press, Arts & Leisure Feature, September 9, 10, 1998, p. 1B.

Saad, Olivia. “5 Exhibitions at Axis.” New York Contemporary Report (June 1999).

2000-Present

Andrew, Jason. “Wells Street Gallery,” The Brooklyn Rail, March 4, 2010

Panero, James. “Wells Street Gallery Revisited,” The New Criterion (November 2012).

“Dolnick’s abstract paintings in exhibit at Town Hall,” The Redding Pilot, November 14, 2013.

“Balanced Rock: The North Salem Review of Art, Photography and Literature,” Volume 1, 2013 (ill. watercolor inspired by Gaugain, p. 52. Untitled, acrylic on canvas, p. 53).

Kirkpatrick, Catherine. “Time and the Artist: A Portrait of Judith Dolnick,” Arts in Bushwick, June 21,2015.

Butler, Sharon. “Blast of color: Mink and Dolnick at Outlet,” TwoCoatsofPaint, June 26, 2015

Alex Galbraith, “Intersect Palm Springs Returns to the Convention Center,” Palm Springs Life, February 8, 2022

 

Catalogs

“5: Judith Dolnick, Bruce Dorfman, Robert Natkin, Joel Perlman, Larry Poons.” Exhibition monograph, published by J. Andrew, New York, 1999. Essays by J. Andrew, Ann Landi, Diana Mille, Barbara Pollack, Phyllis Tuchman, Gary van Wyk and C.L. Wysuph.

“Three American Friends.” Exhibition catalogue, England & Co., London, England, 1991; Stamford Art Center, Stamford, CT 1994. Essay by John MacDonald.

“Stanford Artists in New York.” Exhibition catalogue, Charles Cowles Annex Gallery, 1987, p. 19.

“1980 Invitational Exhibition.” Exhibition catalogue, The Festival of Greater Hartford, 1980. p.11.

“Connecticut Painting, Drawing and Sculpture ’78.” Exhibition catalogue, Art Resources of Connecticut, 1978, pl. 36,37.

“Lesser Known and Unknown Painters.” Exhibition catalogue, American Express Pavilion. Essay by Brian O’Doherty, New York World Fair, 1965, pp. 18-19.